A linked, cross-channel un-masker. Drop it on the track you want to protect and the one that's burying it. It clears the frequency overlap where they clash, only there, and proves, band by band, that it touched nothing else.
That's masking: the synth eats the vocal, the bass swallows the kick. D·MASK carves a pocket for one track inside another. It moves only where they clash.
The carve is perceptual, across 24 ERB critical bands, the spacing your ears actually use. And it's algebraic: when a band isn't being carved, the output equals the input, to the bit.
Move across the graph, the carve follows the clash, flat everywhere else.
When a band isn't being carved, the output equals the input, bit-exact. A loudness-matched blind A/B lets anyone judge the change, and a Listen mode solos exactly what was removed. No faith required.
The carve works across 24 ERB critical bands, the spacing the ear actually uses, so it opens space where you'd hear the masking, not where a flat analyzer says.
A Matrix view lines up every D·MASK in the session in one window, each protected source and the maskers ducking for it. The one view a per-track plug-in can't show.
Flip to Matrix and the whole session lines up: every protected source and the maskers burying it, with the exact bands where they clash.
Set which source wins a clash, drive each masker's depth, or solo any masker's residual, all from one window, without opening that track.
Every feature for five days, no card. Buy once when you're convinced.
No account needed — enter your email, grab the installer, and the 5-day trial starts when you open it in your DAW.