PEAK finishes your master at the ceiling, keeps the transients breathing, and proves the peaks survive the codec before you ship.
5-day trial, no account. Audio passes through bit-exact until you activate.
PEAK 3.0 · the machined-hardware interface
Most limiters guard the sample peak. Your DAC, and every lossy codec, reconstruct a signal that rides higher between the samples, so a bounce that looked safe clips on Spotify. Drag the ceiling. Switch a codec on. Watch the difference.
No codec. The gold trace is PEAK holding the output under the ceiling. The dim trace is your raw input.
Drive gain into the limiter, set the true-peak ceiling once. PEAK measures the way DACs actually reconstruct, 4× oversampled, so peaks survive your DAW, the codec and the listener's speakers.
Pick a target, Apple, Spotify, YouTube, Tidal, Club, and PEAK encodes ahead of you. SURVIVE hands you a receipt: the exact true-peak your listeners get after AAC, Opus or MP3.
codec-survival receiptNeed more than clean? A soft/cubic/hard clip stage, an odd-harmonic COLOUR for air, and EXTRA, a single knob that cascades the loudness levers so you push once, not five times.
Drop a reference master and PEAK solves its own knobs on-device so your output measures like it. No reference? DRIVE CMP maps every Drive setting's trade-off in one table.
A live transparency score with the cause named, the band, the moment, the punch you traded for loudness. When you're overcooking it, PEAK says so before the client does.
Delta-listen every change PEAK makes, silence means perfect transparency. Proper truncation dither for 16 and 24-bit delivery, and A/B/C/D snapshots to compare moves.
The trial runs the full plugin for five days. While it's locked, your audio passes through bit-exact, so you can install it on a live session without touching the sound.
No account needed for the trial · PEAK 3.0 · macOS 11+ · Windows 10/11 (needs the WebView2 runtime, bundled on Win 11)